Brendan Dawes
The Art of Form and Code
Certain Irregularities (2025)

Available from Produced for Use

This site documents my continuing fascination for making computer-based work using generative and automated systems to create objects which exist digitaly, physically and sometimes both.

Find out more about me and feel free to get in touch.

Explore my process blog or browse the complete archive.

Explore the work: data / electronic / web / paper / plastic / pixels / iot / interface / time / memories / ai / everything

Elsewhere you can find me on Instagram or Bluesky and Discord.

Sign-up to the Dawesome Digest newsletter.

Produced for Use — Limited edition physical objects.

Represented by Gazelli Art House.

Mar 16 2025 Blog  

The joy of code

Dec 17 2024 News  

Eno documentary shortlisted for Academy Award

Feb 22 2024 News  

Featured in On NFTs – a historical survey of NFTs from Taschen

May 5 2025 – May 6 2025 Talk  

Beyond Tellerrand in Düsseldorf

Available to collect  

Descendants Gen 2

Available to collect  

Persian Dreams

Available to collect  

You Me and the Machine

You, Me and the Machine
Tribute to Herbert W. Franke
1664663478
Press Any Key To Escape
Real-time patterns inspired by a former work-life
1658448000
Infinite Glimpses
Generating infinite compositions from a month of desktop screen captures
1655566278
1545259285
Embraer Data Streams
LED and AR installation at the Farnborough Airshow for Embraer
1531731630
Plastic Player 2
An open-source analog interface for digital music
1517270400
Carefully Everywhere Descending
Real-time data installation for PricewaterhouseCoopers' London Data Lab
1507680000
Plastic Player
A Playful Analog Interface for Digital Music
1483056000
1461024000
Local Murmurs
Story-sharing installation for Airbnb at the 2016 Sundance Film Festival
1453420800
1439078400
1429401600
1425600000
Six Monkeys
Physical interactions with email
1410134400
1373587200
1369267200
1330560000
1320105600
1298937600
1269561600
1078099200