Brendan Dawes
The Art of Form and Code

Tonight sees the opening of Gen/Gen: Generative Generations, a generative art group show spanning six decades presented over three floors of @gazelliarthouse in London, in partnership with @verisart

Tonight sees the opening of Gen/Gen: Generative Generations, a generative art group show spanning six decades presented over three floors of @gazelliarthouse in London, in partnership with @verisart.

Following Gazelli Art House’s The AARON Retrospective, and ahead of a major 2024 museum survey at the Whitney Museum of American Art, the gallery has deepened investigations into Computer Art pioneer Harold Cohen’s practice by aligning his work with three of his peers – Ernest Edmonds, William Latham, and Stephen Willats – while recontextualising these works through an array of contemporary generative artists.

This will be the third show I’ve been part of at Gazelli Art House, following a group show in 2021 and a solo show in 2022. Gazelli have represented me now for almost two years, something I would never have thought possible when I started making things with computers all those years ago.

I personally can’t wait to see the show and take in the carefully crafted narrative put together with the usual love and attention by the Gazelli team and Verisart.

Much love to @milaaskarova and all the team.